Directed by Buster Keaton and Roscoe Arbuckle Release Date Length 5 Reels (4065 feet) Plot Summary Coming Soon Starring Buster Keaton Projectionist / Sherlock, Jr Kathryn McGuire The Girl Joe Keaton The Girl's Father / Man on Film Screen Ward Crane The Local Sheik / The VillainThe projectionist/Sherlock Jr (Buster Keaton) sits at the back of an empty movie theater with his broom, reading How to Be a Detective He has the required equipment a moustache disguise and a magnifying glass He is chided by his boss to complete his chores firstBuster Keaton's silent masterpiece Sherlock Jr (1924) shifts nonchalantly between the worlds of reality, film and dreams in the blink of an edit While later synchronizedsound films have scores attached, Sherlock Jr had no fixed
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Buster keaton sherlock jr analysis-Between 19 and 1929, Buster Keaton created a peerless run of feature films that established him as arguably the greatest actordirector in the history of the movies Collected here are three key films from that era;Sequence Analysis of the Closing Scene of Sherlock Jr Sherlock Jr (Buster Keaton, the US, 1924) depicts a cinema projectionist and janitor who's studying and dreaming about becoming a detective like Sherlock Holmes The main character, Sherlock Jr falls in love with a beautiful girl but another man shows up as his competition while he's
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SHERLOCK JR (1924) Jack Avery Throughout his cinematic career, Buster Keaton was never particularly considered to be a producer of films that were socially or politically engaged In contrast to the social commentary evoked in Chaplin's the 'Tramp', or reflected in the bespectacled character of Harold Lloyd, Keaton was deemed as more of a generic 'funny man';As seen in Sherlock Jr 's Pool Table and Bike Riding scenes, just like his intentionality in composition and editing, Keaton's grandscaleSoon, however, Sherlock Jr masters this filmic dream word, becomes the great detective and solves the crime in the most spectacular manner, "the awkward ineptitude of the boy as he shadows his man in part 1 is countermanded by the extraordinary physical prowess of Keaton's vaudevillestyle performance" in the dream sequence (Bean 139)
Analysis of a shot from Sherlock Jr (Buster Keaton, 1924) Begin by determining what the function of the shot is How does it help to move the action ofthe scene or the film along?Sherlock Jr Similar to the experimentation with the storywithinastory plotline, Sherlock Jr features a filmwithinafilm technique, as well as shotreverseshot editing, crosscutting, and other techniques The protagonist of the film (Buster Keaton), a movie theater projectionist and janitor, is in love with a girl whose heart is alsoSequence Analysis of the Closing Scene of Sherlock Jr Sherlock Jr (Buster Keaton, the US, 1924) depicts a cinema projectionist and janitor who's studying and dreaming about becoming a detective like Sherlock Holmes
Sherlock Jr is the silent film by shot and acted by Buster Keaton in 1924 It tells a story after framed as a thief and unsuccessfully to save their reputation in reality, the protagonist becomes the famous detective saves the heroine and penetrates crime in the dreamFirst Journal–'Sherlock‚ Jr' by Buster Keaton Film‚ is a powerful and global language It could be as influential as the state or as simple as a comedy For example‚ it represented the voice of the state of USSR under revolution in s SequenceWorth it for the storm sequence alone, which is staggering in its audacity, and Shakespearean in its execution Dan Jardine, Cinemania
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What uses of time and space?Buster plays a cinema projectionist, framed for theft by a jealous rival for his girl's hand, who daydreams himself into life as a daring detectiveThe greatest of the silent clowns is Buster Keaton, not only because of what he did, but because of how he did it Harold Lloyd made us laugh as much, Charlie Chaplin moved us more deeply, but no one had more courage than Buster I define courage as Hemingway did Grace under pressure In films that combined comedy with extraordinary physical risks, Buster Keaton
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Film Analysis Buster Keaton – Sherlock Junior (1924) Editing I saw a film called Buster Keaton – Sherlock Junior during my film lecture and found that it did a marvellous editing technique, as to achieve a successful story It was not a normal for me to watch a film that without any conversations, but I was greatly amused by the editing of this film as it knit a lot of materialA film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch IMDb RATING /10 45KSequence Analysis of the Closing Scene of Sherlock Jr 866 Words 4 Pages Sherlock Jr (Buster Keaton, the US, 1924) depicts a cinema projectionist and janitor who's studying and dreaming about becoming a detective like Sherlock Holmes The main character, Sherlock Jr falls in love with a beautiful girl but another man shows up as his competition while he's trying to win the girl's heart
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In one of the most memorable sequences in Keaton's 1924 masterpiece Sherlock, Jr, Keaton's unnamed hero—nicknamed "Sherlock, Jr" because that's the fictional character he emulates—follows the man who framed him for the theft of the watch belonging to his girlfriend's father The amateur detective shadows his mark closely, with both of them moving from right toOften reputed as a comic actor, Buster Keoton came from the time and likes of Charlie Chaplin and Harold Lloyd The movie 'Sherlock Jr ' revolves around a projectionist, played by Keoton himself Here the projectionist lives with dream of becoming a detective himselfIf so, it's because Keaton's best films, like Sherlock, Jr, or The Navigator (1924), or The General (1927) are so resistant to analysis That's not to say they haven't been analyzed—people have written theses on duality in Keaton's films, Surrealism in Keaton's films, feminism, masochism, mechanism, cynicism, etc, etc, etc, etc
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Horton, Andrew (ed), Buster Keaton's Sherlock Jr, Cambridge University Press, 1997 Kael, Pauline, 5001 Nights at the Movies , Henry Holt &Sherlock Jr saw the fearless star hop across the carriages of a moving train which was rushing past a water spout Keaton had to take hold of the spout, a dangerous enough proposition had it gone awry As the onscreen evidence shows, he completed the move Unfortunately the second part of the stunt didn't go so smoothlySherlock Jr (1924) is stonefaced director/producer Buster Keaton's marvelously inventive, short silent film era, comic fantasy his third and shortest feature film (after a series of tworeel shorts in the early 19s) It was filled with the comedian's trademark physical gags, intricatelychoreographed and acrobatic vaudeville stunts, visuallywitty humor and amazing special effects
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Once in a while, I will skip all of the analysis of the film(s) I'm reviewing on home video and just get to the point This will be one of those times Buster Keaton's filmsIt is said that Sherlock Jr is "a selfreflexive work, a film about a film," that examines and reworks the clichés of the time, and this is the truth (145) Yet, at the same time, the audience must surely see that, at its heart, Sherlock Jr is an intensely visual movie Through the film, the audience will not only see Keaton's vaudeville background, but also his interest in the creation ofIt is as if Keaton is pointing out that the people in his movie are doing exactly the same thing as the viewers of Sherlock Jr I feel as if this would have had a greater effect if the movie was being played in a theatre, which, when Sherlock Jr was filmed, would have looked much like the one in the movie It would be almost as if the audience
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Sherlock Jr (Buster Keaton, 1924, 44m) Plot Segmentation I Opening Title Cards A Joseph M Schenck presents Buster Keaton in "Projectionist", A Metro Attraction B Directed by Buster Keaton C Story by Jean Havez, Joe Mitchell and Clyde Bruckman, Photography by Elgin Lessley and Byron Houck, Art Director, Fred Gabourie, Electrician, Denver Harmon DCompany, 19 Keaton, Buster and Samuels, Charles, My Wonderful World of Slapstick , 1960, Republished by Da Capo Press, 19A kindly movie projectionist (Buster Keaton) longs to be a detective When his fiancée (Kathryn McGuire) is robbed by a local thief (Ward Crane), the poor projectionist is framed for the crime
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During the first few seconds of John Wick Chapter 2, the motorcycle sequence from Buster Keaton's 1924 film, Sherlock Jr is projected on the side of a building in New York City This is no accident The influence Keaton has on the John Wick franchise and action movies is immense Technological advances aside, the influence is easy to discern the stunt work, theClair suggested that the film could be a model for "surrealist spectators" comparable to the one supplied for the theatre by Pirandello's Six Characters inSherlock Jr is a prime example of Keaton's flamboyant tendency Sherlock Jr (Buster Keaton) spends most of his evenings not prowling the streets in search of elusive clues but in the projection booth of a movie theater
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We'll watch Buster Keaton's hilarious 1924 comedy Sherlock Jr and learn film analysis techniques H Film Theory 101 in Splash 16 (Nov 19 , 16) Just like we analyze books we read, we can look at films with a critical eye We'll be watching the delightful 45minute silent film Sherlock Jr (1924) and discussing it afterwardSherlock, Jr is about the possibilities of cinema in so many ways, a film that onpaper is a perfectlygreat comedic jaunt inline with the rest of its creator's oeuvre but also serves as an early reflection of what screen and audience means, that not only holds up over the years as a timeless piece of masterful filmmaking but also achieves a new resonance with the introduction ofActors Buster Keaton, Kathryn McGuire, Joe Keaton, Ward Crane Detailed plot synopsis reviews of Sherlock, Jr This 1924 silent classic is not as well known as it should be
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Keaton's legacy, much like his famous granite visage, has been immortalized in the annals of film history as a testament to unconventional artistry Keaton is a figure who embodies the impossible capabilities of film, making Sherlock Jr an embodiment of filmmaking as an art It goes beyond the brilliant cinematic effects of the film, the thrilling motorcycle chases that laugh in theA screening of Buster Keaton's 1924 comedy "Sherlock, Jr" was accompanied by a live performance of an eclectic score by Stephen Prutsman for piano and string quartetBuster Keaton's Sherlock Jr is a nearly impossible film not to enjoy in some way or another It features the incredible physical comedy and stunts for which Keaton is famous, but it also deals selfreflexively with the cinema and plays around with the spatial relationships and behavioral ideas that the movies construct for audiences
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Introduction to Film Analysis Comparative Literature 270 Discussion Questions Sherlock, Jr (Buster Keaton, 1924) IMDB entry on Sherlock, Jr Why and how is Buster Keaton funny?What does he do with his facial expressions and his body (since mostWhat mechanisms are involved?
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Sherlock Jr, The General and Steamboat Bill, Jr Together they represent a true master at his peak, and The Masters of Cinema Series is proud to present all three films fromSherlock, Jr – 1924 – dir Buster Keaton The following is an entirely insufficient attempt to explain what Sherlock Jr is about without using the words "projectionist" or "detective" "Sherlock Jr is about a man's (or Man's) struggle against the destructive forces of the world and their indifference to our petty squabbles and emotional yearningsHow does he set up his gags and jokes?
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Sherlock Jr marked the beginning of a heated debate about a pervasive surrealism in Buster Keaton's works, which engaged filmmakers, philosophers and playwrights to these days In 1924, when the film was released, RenéSherlock Jnr , directed and starring Buster Keaton The film was released in 1924, entering the public domain on 1 January, The music was performed bThis analysis focuses on the chaotic and hilarious motorcycle sequence in Buster Keaton's Sherlock Jr, wherein the unnamed protagonist must save his love interest from a creepy guy and his friends The analysis mainly focuses on a few shots–both interior and exterior–of the cabin in which the young woman is being held
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Probably Keaton's cleverest achievement is the sequence in Sherlock Jr in which Keaton's character, an aspiring detective stuck working as a film projectionist, falls asleep and dreams that he's in the film he's showing Filmed in 1924, the scene is a masterpiece of trick photography and timing, and the special effects hold upD espite the fact that he broke his neck while filming a stunt for Sherlock, Jr, Buster Keaton was always one of the most schematic and precise artists of cinema's early yearsHis control was physically evident Witness his confidence—or, perhaps, his insanity—during the hurricane sequence that closes Steamboat Bill, Jr, most notably the bit where the side of a
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